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Searching for Beauty Cover

Richard JacobsDr Richard Jacobs
'
Searching for Beauty'
Letters from a Collector to a Studio Potter
Hardcover, 342 pages

ISBN 13: 978-0-9548840-6-2

Retail price in UK £25.
Kestrel price - £20.00
Price in US $35.00

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Review by Jane Hamlyn - Ceramic Review

'..his questions deal with ideas and concepts which should concern us all, as potters and as people. they are challenging difficult and sometimes unanswerable questions about skill, amateurism, prices, state support, collecting, modernism, aesthetic experience, fame, criticism, post-moderism, feminism, tradition, innovation, democracy, Abu Ghraib and 'the dark side of the human species'....He can be erudite, exasperating, endearing, elegiac, self-mocking and sometimes hilarious....this admirable book could become a cult classic.' read the complete review

Review by Helen Bevis - Ceramics Monthly

'Perhaps the most striking letter is number 29, where he takes in torture techniques used in Iraq, a Harvard professor of aesthetics, Soetsu Yanagi, Edmund de Waal and news that "Letters to a Young Potter" was selected for a conference program. It is a mind blowing ramble…. There are many rich threads to this book. There is a beauty in ideas, the beauty of a worldly observation; the beauty of self-referential humor, derision and burgeoning comprehension. 'Searching for Beauty' works on many levels, as one man's odyssey to understand the strands of his life; as a guide to understanding a collector's mind or even simply as an eclectic guide to ceramic literature. The range is intriguing, frustrating, eye-opening and crazy; much like us all. It is a haunting book that demands reading and re-reading of selected passages.' read the complete review

Review by Andrea Vinkovic. (PYRE - Ceramic Arts Association of Western Australia)

'By making the letters public, the writer and the recipient are creating an inspiring and very personal gift to all potters, makers, craft people and by extension to all of us that share the values and aesthetic of hand-made. I feel richer for the experience and will return to the book many times, sometimes to take comfort in Jacobs profound understanding of my struggles, sometimes in search of contemplative insights he provides, and sometimes for the inspiration and strength his words lend me in the moments of doubt.' read the complete review
Other comment about 'Searching for Beauty'
'As a collector of ceramic works of art, Richard Jacobs is interested not only in the aesthetics of his pieces, but also in the creators. Most of his collection has been purchased through personal contact with the artists themselves, giving him the opportunity to get to know their personalities, life situations, and special talents. He has great empathy for the issues that potters face: the hard physical work, artistic development, self-promotion, economic realities, and the "to-one's-own-self-be-true" decisions.'
Christy Johnson, Director, American Museum of Ceramic Art, California
'Searching For Beauty - Letters from a Collector to a Studio Potter' is one of those rare books which has the capacity to speak to a wider audience as well as to those with a more particular interest in ceramics. He is not afraid to deal with a range of ideas and issues, but always he comes back to his love of pottery and to his passionate belief in the humanising potential of the craft which has captivated him. He is often very funny, sometimes self-deprecating, yet always intellectually stimulating and a joy to read.'
Dr Jeffrey Jones, Senior Lecturer in Ceramics, School of Art and Design, University of Wales in Cardiff

'Richard Jacobs articulates many things I believe in and would like to say about making, education and how art and life relate to one another, but much more eloquently than anyone else I have ever come across.'
Tim Andrews, potter

'I can think of no other contemporary writing that so thoughtfully links pots to language, literature and philosophy, thereby placing pots squarely within the framework of liberal academic discourse. All young potters should read these letters, and all older ones too.'
Mark Hewitt, potter, Pittsboro, USA
'Searching for Beauty' - the genesis
In the summer of 2002 Dr Richard Jacobs, a Californian collector of ceramics, bought a piece from a young potter by the name of Christa Assad. For whatever reasons, this single act, just one among many by a distinguished professor, educationist and ceramics collector, kindled a desire to set down in print the innumerable thoughts and questions of a tirelessly inquisitive and often heretical spirit.

Taking his inspiration from Rainer Maria Rilke's 'Letters to a Young Poet', Richard Jacobs sets the tone of his letters to Christa Assad with his favourite quote from that classic work, 'Try to love the questions themselves, like locked rooms and like books written in a foreign language… At present you need to live the question.'

It soon becomes clear that Richard Jacobs himself has always lived the question. 'Searching for Beauty' is more - much more - than a collection of authoritative musings on modern ceramics. It is a thoughtful, yet witty commentary and examination of just about everything: contemporary art and aesthetics; philosophy, education, politics; what it means to be a citizen of not just one nation but of the entire planet; on being young, middle-aged and blessed with long experience; above all, on the trials and tribulations of being an artist in the world today.

Richard Jacobs has travelled the world in search of beauty. His journey has not been eased by personal wealth, so it has never been a question of settling for a reassuringly impressive price tag. He has had to employ his well-trained eye, his knowledge and experience, while all the time posing questions about the work, the artist and the very nature of collecting.

In his own words: 'My uncertainties lead to ironies and a complex absurdity that is central to the brief interval that forms my earthly existence. It is not only a survival strategy for me but a way of playing out a self-conscious comedy of errors. This leads to further adventures and surprises that never match the expected outcomes but can be far richer and more meaningful as a result. My collecting is ultimately not a search for material artifacts as much as a search for a normative vision of how to live a life. The ethical dimensions of seeking justice in what has been a violent and unjust world has haunted me my whole life. The power of art for me has been the compelling evidence it provides that the human species has the redeeming ability to create and contribute the saving grace of beauty. It is that beauty that has nourished my soul and become my final refuge.'

'Searching for Beauty' is a book that will last, its readers returning again and again to their favourite passages.

Richard Jacobs recently completed a month long tour of the UK. For a brief report, see below. If you are a potter or ceramics student and would like to listen to the particularly vibrant presentations and audience participation at the events in Cardiff and Farnham, contact us and we can send you the sound files. For more, see 'Searching for Beauty - the 2007 UK tour' below.

'Searching for Beauty' - the 2007 UK tour

Richard Jacobs recently undertook a tour with Kestrel Books to launch 'Searching for Beauty' in the UK. He gave a lecture at Wolverhampton University, was in conversation with Ruthanne Tudball at the Oxford Ceramics Fair and with Dr Jeffrey Jones, author of another new book 'Studio Pottery in Britain 1900-2005' (A&C Black) at UWIC. He was in conversation with Lionel Burman at Bluecoat Display Centre, Liverpool, then proceeded to The University of the Creative Arts at Farnham for another talk, where he was hosted by head of ceramics Ashley Howard and potter-in-residence Gareth Mason. 'Searching for Beauty' was officially launched at Contemporary Ceramics in Marshall Street. An in-conversation-with Joanna Howells followed at 'hub' in Lincolnshire before the tour was concluded at a seminar at the Royal College of Art in London.

Although Richard Jacobs has built up a substantial collection of British studio pottery over the past three decades, his name recognition in the UK was not high when the tour began.

This has now changed thanks to the publication of 'Searching for Beauty' and his high octane presentations. Established potters and students alike respond to his vigorous promotion of pottery as central to human civilisation, while collectors of large and modest means are encouraged by his insistence that the collector's role can complement that of the maker. As a lifelong educationalist with a reputation as a renegade, Richard Jacobs is unafraid to pose the vital and difficult questions that craftspeople habitually pose, often in private, sometimes in public. His permission to ask these questions and to attempt answers, however faltering and incomplete, is one of the most refreshing themes in 'Searching for Beauty'. His sense of humour, often self-deprecating but never frivolous, is one of the most engaging aspects of both the book and his talks. Richard will return in 2008 for further speaking engagements.
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